amour.bouche
rosé release

Across both design forms lies the necessity of engaging with the thematic material in question, which, in the case of visual and spatial design, manifests through the artifact itself. Whether a poster, an installation, a book, or a short film, the chosen medium is inseparable from the content it carries.

Thus, design explores the interpretion of material on different levels, translating content from one form into another — an approach central to Studio Abricot’s work.

By breaking down complex issues with subtlety and simplicity, its practice seeks to create critically relevant and contemporary projects, driven by the desire to generate new visions and rethink conventional approaches.

Silent companions_{⁽⁰⁰¹⁾} Doc N°13_{⁽⁰⁰²⁾} Doc N°14_{⁽⁰⁰³⁾} brisbois; bembé_{⁽⁰⁰⁴⁾} Exhibition plan_{⁽⁰⁰⁵⁾} The end of daltonism as an obstruction_{⁽⁰⁰⁶⁾} Narcisse Web_{⁽⁰⁰⁷⁾} Creutz (&) Friends_{⁽⁰⁰⁸⁾} Choux by Fanny Prum_{⁽⁰⁰⁹⁾} Feipel & Bechameil_{⁽⁰¹⁰⁾} Hermès—Dans l’oeil du Prince_{⁽⁰¹¹⁾} Nordstad Lycée_{⁽⁰¹²⁾} Narcisse Wild Issue N°7_{⁽⁰¹³⁾} Narcisse Fame Issue N°8_{⁽⁰¹⁴⁾} 2024_{⁽⁰¹⁵⁾} 2025_{⁽⁰¹⁶⁾} 2026_{⁽⁰¹⁷⁾} amour.bouche_{⁽⁰¹⁸⁾} Never absolute always relative_{⁽⁰¹⁹⁾} Dialogue_{⁽⁰²⁰⁾} Ultraschall festival_{⁽⁰²¹⁾}